The Burial - Tepilunia Soundscapes Version: Alutepena Hughes-John's Orchestral Rebirth
An emotional orchestral pop reimagining of a deeply personal song originally written after a painful breakup. In this version, Alutepena (also known as 'Pena) shifts from the raw anger of the original track into a more reflective, melodic space. The Tepilunia Soundscapes Version feels like a cathartic release, where less is more, its gentle strings and understated rhythms evoke a sense of closure rather than conflict.
This version of The Burial is beautifully layered with real instruments, a deliberate departure from the synthetic samples used in the original. The song features a delicate arrangement of strings, with Olexander Zhadan on piano, Peter Voronov on violins and violas, Dmitry Mikhailov on cello, and Karl Thompson providing subtle drums. Their live instrumentation enhances the song’s organic feel, transforming it into something more intimate and heartfelt.
After years of disowning it, Alutepena's decision to revisit this song marks a significant emotional turning point. The original version was tied to a tumultuous chapter in her life, filled with unresolved emotions due to her past relationship and collaboration with her ex-partner’s friend. That version felt rushed and emotionally fraught, a product of tension in both personal and professional realms. This new version allows her to reclaim the narrative, soften the anger, and bring the listener into a quieter, more introspective space.
The song’s lyrics remain poignant, capturing the devastating realization of feeling unloved after nearly seven years in a relationship. Yet, the Tepilunia Soundscapes Version captures these emotions tenderly, with Alutepena’s vocals taking on a more wistful, contemplative tone. The shift from anger to acceptance is palpable, making this version feel more like a release, a letting go.
This polished orchestral arrangement makes The Burial a standout piece in Alutepena's catalog, showcasing her growth as an artist. It also shows her willingness to face her past, strip away the emotional baggage, and present something raw and real. By taking inspiration from her Tepilunia Soundscapes project, she aligns this version more with her orchestral pop sensibilities, creating a version she’s finally proud to call her own.
For fans of introspective, emotionally-driven music, The Burial - Tepilunia Soundscapes Version stands as a triumph of both artistry and personal growth.
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