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Rare Elements Confront Human Self-Destruction on “Shadow of the Black Sun”

On “Shadow of the Black Sun,” Tampere-based metal project Rare Elements delivers a tightly executed statement on human excess and consequen...

thisaktmusic 24 Feb, 2026

Latest Posts

Rare Elements Confront Human Self-Destruction on “Shadow of the Black Sun”

On “Shadow of the Black Sun,” Tampere-based metal project Rare Elements delivers a tightly executed statement on human excess and consequen...

thisaktmusic 24 Feb, 2026

Kat Madleine Revives 90s Power-Pop with Emotional Precision on “I’ll Be Right There.”

With “I’ll Be Right There,” Kat Madleine positions herself firmly inside the lineage of 1990s power-pop while refusing to treat nostalgia a...

thisaktmusic 24 Feb, 2026

Almost Morning’s “halfen” Documents Burnout, Isolation, and Control in Minimal Form EP

With her seven-song EP Halfen, New York City artist Almost Morning delivers a tightly controlled study in emotional fatigue and internal wi...

thisaktmusic 24 Feb, 2026

Mogipbob’s “High on the Hog” Balances Prairie Storytelling with Modern Experimentation Album

Jason Graves, recording under the name Mogipbob , approaches High on the Hog with clarity about his priorities: songwriting first, productio...

thisaktmusic 24 Feb, 2026

Paul Louis Villani Crafts Intimate Self-Reckoning on “Makes Me Happy”

Melbourne multi-instrumentalist Paul Louis Villani approaches “Makes Me Happy” with deliberate independence. Written, performed, and record...

thisaktmusic 24 Feb, 2026

OpCritical Reimagines Protest Tradition with Urgent Anthem “Not Alone”

“Not Alone” marks the debut release from U.S.-based band OpCritical, the band formed in 2026 with a singular mission: confront what they des...

thisaktmusic 24 Feb, 2026

Tony Frissore Channels Global Roots and Lunar Renewal on “Island Lantern Festival”

Tony Frissore’s “Island Lantern Festival” is not a seasonal novelty release; it is a carefully timed cultural meditation shaped by a produc...

thisaktmusic 24 Feb, 2026